When he was designing the Institute, he is said to have asked the great architect Luis Barragán what kind of tree to plant in the main plaza. Every time I go there, I have a different experience. Both Rocha and Carrillo graduated with honors from the Faculty of Architecture of Universidad Nacional Autónoma de México (UNAM). Carrillo also teaches the Jorge Gonzales Reyna Workshop at UNAM[6]. Carrillo began collaborating with TALLER DE ARQUITECTURA in 2001, serving as Project Director from 2006 to 2011, when the two founded TALLER IMauricioRocha+GabrielaCarrilloI. I don’t know how to say no to a project, so we have a lot of them. TALLER |MauricioRocha+GabrielaCarrillo| Gabriela provides workshops and lectures around the world, speaking to both undergraduates and postgraduates. 594 Broadway, Suite 607New York, NY 10012, Admission & Ticket Policy We had the opportunity to design a garden museum in a very small town outside of Mexico City. Carrillo: When we started work, that place already functioned as a market: the facades were constructed, and there were better established stores selling out of small pavilions inside and others who just strung up canvas informally to take advantage of the site to sell as well. This randomness is present in the city, and you see it in San Pablo Oztotepec, because its informal houses are changing everyday. Both graduated with honors from the Faculty of Architecture of … Rocha: Working with light can only be done with time. Rocha: We love process, and we love to feel the hand of the worker in the walls, to see that imperfection. Carrillo: Or even the time to take a coffee in the middle of the afternoon! We’ve just designed some judgment courts, out of stone and in an egg form. Rocha has been a fellow and jury member for the National Fund for Culture and the Arts (FONCA) and has, since 2011, served as Academician of the National Academy of Architecture. Carrillo: We both share these ideas, and the most powerful architecture experiences that I’ve had are related to voids.
Carrillo: We don’t want the view to be the most important aspect of our spaces. And to do good work, you also need time: you need to spend a whole day sitting in the same place to see how light moves or transforms a place to understand it. Emerging Voices Current work includes the Oral Judgment Courts in Lazaro Cardenas and Patscuaro; a Four Seasons resort in Tamarindo, Jalisco; and a photography museum in Cuatro Caminos. You can unsubscribe at any time by clicking on the unsubscribe link at the bottom of every email, or by emailing us at privacy@dezeen.com. Taller Mauricio Rocha + Gabriela Carrillo.
The campus is built on beautiful, very black stone left from the explosion of a volcano, and over the years nature has grown into a kind of jungle in places. I don’t understand why so many architects concern themselves with repeating forms. Gardens separate rooms wrapped in brick, stone and wood at Mexican courthouse. Explore. Explore So we aim to translate the traditions and materials of the place where we are working into contemporary work, not through fashionable forms or fireworks, but with what can happen in the space. Dezeen Weekly subscribers will also receive occasional updates about events, competitions and breaking news. Rocha: Louis Kahn and the Salk Institute are very important to us as well. How you can you have time to be in the studio, to talk with your friend about new ideas so you don’t repeat your work, then have the time to draw it, and still have the opportunity to travel and learn more to change those ideas? You can unsubscribe at any time by clicking the link at the bottom of every newsletter. [3] She has presented lectures and has led workshops at universities in Mexico, the United States, and South America. So instead of focusing on making the forms with material stuff, we want to work with what can’t be touched. We’re creating what we call a comb, which are thin cuts, two meters or so wide, through the mountain, to make it. To make this ephemeral work, you need to understand this pre-existence. Mexico City-based TALLER |MauricioRocha+GabrielaCarrillo| emphasizes “the importance of the vernacular, craftsmanship, sustainability, and socially responsible design.” Founding principals Mauricio Rocha and Gabriela Carrillo explore proportion, volume, light, and material, with a particular focus on sensitivity to user needs and responsiveness to climate, in their temporary installations as well as their buildings. In March 2014, on the occasion of their Emerging Voices lecture (video embedded below, also available here), Rocha and Carrillo sat down with League Program Associate Jessica Liss to discuss their practice. Our work is a response to where we’re living, to our places, and to our economic and social situations. Dezeen Daily is sent every day and contains all the latest stories from Dezeen. Depending on the hour of the day, the shadow is more clearly defined, other times it’s blurry, or it’s cutting the building in different ways. But for us, these works are just as important as any big building, because they help you to understand what has happened in a place and what you can do to change the experience. rsvp@archleague.org.
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